Paintings From the Down
Who Wakes Up Painting an Irish Wheelchair and Nuclear Fallout? 2026. Oil on paper, 18 x 24" The pendulum has swung to the other side of good spring energy, to the opposite…
Who Wakes Up Painting an Irish Wheelchair and Nuclear Fallout? 2026. Oil on paper, 18 x 24" The pendulum has swung to the other side of good spring energy, to the opposite…
Emma, Edgeworth, and Ron after out first Farangers podcast. Last April I visited Muswell Hill, UK to work with @jompiy, Emma Pugmire, Charles Thomson, and Don Guy. Painting…
This Is Where I Draw the Line 2026. Oil on paper, 18 x 24" I read a quote in my chair right before painting this one (I paraphrase): “The drawing of a person is obviously not a…
Here I am this morning reading my essay “How to Price a Painting” published in The Pleasure at Being the Cause. There is a fair way to price work for those interested in making…
Clear sound and video. This is a good one. Black Ivory is @jompiy (Edgeworth Johnstone), Emma Pugmire, and me. Some things we talked about: • Rice, fish and spinach! • KlingEx…
In our Black Ivory podcast, Edgeworth @jompiy lightly admonished me for not taking enough video of my changing studio. I get it, and from now on, will do walk throughs more…
This! 2026. Oil on paper, 18 x 24" Some more paintings keeping me grounded in explosive spring. Tomorrow I’ll finish the big piece upstairs. During break time, I met a new next…
A Left-handed Breeze Painting the Wind Right-handed 2026. Oil on paper, 18 x 24" I am enjoying the routine of these paintings. Strong 18 x 24" paper. I’ll do a couple hundred…
If You Have Money to Burn, I Have a Match 2026. Oil on paper, 18 x 24" The last four oils of the week before I take a break and work with Rose to finish our last large painting…
These Colors Seem to Go Well Together Meet in My Yard With a Pitchfork 2026. Oil on paper, 18 x 24" It feels like I’m moving in several directions at once. Usually this stops me…
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