There are some movies that you wait for with silent hope, while at the same time fearing the inevitable disappointment that often comes with the revival of a classic franchise. When i walked into the theater for Predator Badlands, expectations were not just high, but enormous, etched in the nostalgic memory of the 1987 original. What unfolded on screen, however, was more than a simple sequel: it was a courageous redefinition, an odyssey that not only met those monumental expectations, but also exceeded them in spectacular fashion.
This film does not compromise on its promise and, in fact, plays its most important card from the very first act: the shift in perspective. We are no longer helpless witnesses to the hunt, hidden in the shadow of human fear. This time, the thermal helmet and spectral vision belong to an alien warrior named Dek, an exiled Predator who, incredibly, becomes our protagonist. The script, which deserves all the praise, does not throw our alien hero into action simply to satisfy his bloodlust. On the contrary, his origins, the source of his ostracism, are carefully revealed to us, laying the foundations for a character of unexpected complexity.
One of the most impressive aspects is the way in which the main character becomes a lethal outcast. He is not a simple tool to kill; he is a being with a history, a violated honor and a path that he must forge for himself. From the very first sequences, we are introduced to Yautja culture from an internal perspective, understanding the strict rules of hunting and the consequences of his exile. This narrative treatment, which keeps Dek in the foreground not only when the blade is about to strike, allows us to become emotionally attached to this deadly hunter. We follow Dek not as a monster, but as an outcast, a young warrior learning what it means to survive beyond the strict rules of his clan.
The piece de resistance, in addition to the excellence of the script, is the unexpected dynamic at the heart of the film: the alliance between Dek and Thia, the intelligent android of the Weyland-Yutani company, played masterfully by Elle Fanning. The character of Thia is absolutely fascinating. She is not just a guide or a mechanical sidekick; she is the catalyst who manages, subtly and convincingly, to "humanize" the young Dek. Fanning brings a calm but nuanced presence to the screen that balances the Predator's inherent brutality with a certain vulnerability, forging an unlikely and profound connection.
But perhaps the element that throws you the deepest into the abyss of fascination is the planet Badlands itself. This realm of exile is not a simple inert backdrop, but a visual fever and a race with bio-hazardous obstacles. The valley, the world of creatures there... you never know where the writers and design team could have gotten their inspiration! The bestiary is truly original, defying any form of alien life seen before. From tiny but lethal predators that camouflage themselves in the toxic landscape, to biomechanical giants that seem torn from gothic nightmares, each encounter is a lesson in survival.
It's a captivating experience to watch how Dek must adapt his hunting techniques to this hostile and unexpected environment. And the weapons! The arsenal presented, both the improved Yautja and that of the local fauna, is cleverly designed. Each piece of equipment plays a crucial role in the narrative, bringing a fresh and highly engaging twist to the sci-fi universe. There’s a sense of massive investment not just in the main story, but also in creating a toxic, stunning ecosystem perfectly tailored to test the limits of an exiled Predator.
The technical execution is impeccable. Predator Badlands is filled with rare visual effects that aren’t just used for free show, but serve to build a believable and dangerous world. The intensity of every sound, from the click of the plasmacaster to the eerie sound of camouflage, transforms viewing into a multisensory experience.
What sets this film apart from many other remakes is that it’s not too cliched. The creative team has managed to avoid well-worn narrative traps, offering surprising plot twists and an action that flows naturally without feeling forced or exaggerated. You can feel the work put into every frame, demonstrating a genuine respect for the source material but also a burning desire for innovation. It's clear proof that when passion and intelligence are invested in the script, a franchise can be reborn stronger and more relevant than ever.
This film is a monumental achievement, undoubtedly at the top of the pyramid, surpassed only by the unwavering greatness of the 1987 original. But perhaps its most thrilling aspect is the ending.
The ending doesn't just close a chapter, it opens the door wide to a much-needed sequel. The stakes are high, and the search for the ultimate adversary only now seems to truly begin, with Dek and Thia heading towards the horizon. The signs are clear: Dek and Thia's world, as well as the complex politics of Weyland-Yutani, are set to fuel at least one more film, if not an entire trilogy. I am absolutely convinced that this wonderful franchise will not stop here, and Badlands is the solid foundation on which to build an extraordinary narrative future.
If you are looking for an experience that will take you out of your daily routine and offer you an unforgettable visual and narrative spectacle, go see it in the cinema. It's a special experience, an ode to innovation, and a huge step forward for the Predator universe.
Oh yeah, I saw it, it's pretty good, with humor, a bit like Guardians of the Galaxy.
The introduction of the synthetics, like in Alien Earth, makes it less bestial and more mainstream.
!PAKX
!BBH
View or trade
PAKXtokens.Use !PAKX command if you hold enough balance to call for a @pakx vote on worthy posts! More details available on PAKX Blog.
That's a fantastic way to put it😊 I agree completely—the blend of humor and action, definitely giving off a Guardians of the Galaxy vibe, is what makes this concept stand out. I hope we see a sequel, considering the open ending the film left.